Rummanah Aasi
   Today I'm thrilled to be part of the promotional tour for Misty Provencher's Cornerstone. The book has been receiving rave reviews from some of my favorite bloggers! Check out Candace's, Missie's, Heidi's, and Heather's reviews just for a sample. Or better yet, check out the entire Cornerstone blog tour and win a copy of the book for yourself! Due to my time constraints, I wasn't able to review Misty's book, however, I got the next best thing: an interview with the irresistible Garret Reese, the heartthrob and one of the most talked about book boyfriends of this year. Not convinced? Just take a look at Missie's Book Boyfriend post below!


Image and link: Missie's MBB post
Hey, Garrett. I'm having a hard time in believing no other blogger has snagged you yet. I, uh, mean for an interview. You're causing quite a ruckus around the blogosphere. People have already claimed you as being theirs. How does this make you feel?   

Really?  Wow, I'm flattered.  I guess I should let them know though, I'm taken.  I've been seeing Nalena Maxwell.  

 *Laughs* Yeah, that's so not going to stop them. Just take a look at the traffic over at Missie's blog post.  *Looks at Garrett for one or two heartbeats* Wow, you really do have liquid blue eyes. *Blushes* So, um, you and Nalena go to the same school where you are a senior and she a junior. Why did it take you three years to finally approach her at the library? And where were you all those years when she was bullied?

  *Drops eyes*  That's a tricky question, but I'm glad you asked.  Some people have really wrong ideas about what happened with that.
   I'm part of a community called the Ianua.  That means that I've dedicated myself to abide by certain principles, one of them being a vow of  complete respect of other members in my community.  Going against these principles can result in being separated from the Ianua, which means losing everything - the material belongings are the very least of it.    
 In Nalena's case, her mother, Evangeline, had separated herself from the community before Nalena was even born.  We know why she did that now, but it's a harsh decision that no one would make unless they were desperate.  Nalena lived in a different school district, and even though I knew of Evangeline's family because of what happened, I didn't really know Nalena until she moved into our district and started attending Simon Valley, earlier this year.  Once I saw her, well, if you've seen Nalena, you understand.  Remaining dedicated to the rules of my community became nearly impossible.
 The problem for me was that Evangeline requested that the community would have no interaction with her daughter.  I had to respect that request, whether or not I agreed with it, but don't think I wasn't around.  I couldn't stop everything that came Nalena's way, but I stopped everything that would have physically hurt her.  I justified what I did by telling myself that Alo Evangeline would have been grateful for my intervention, but there was no way of knowing.  She could have just as easily asked for my separation from the community and it would've been granted.  
  By the way, I've been in libraries much longer than Nalena has and I've yet to meet a guy like you. I must be doing something wrong. There is some obvious romantic tension between you and Nalena. Don't look at me like that. It's written all over your face when I say her name. What were your first thoughts that popped into your head when you saw her sitting in the library? What draws you to her? 
 
 It'd be easy to say it was the way she looked, but it wasn't that.  *glances, grins*  It's a person's way that matters.  She could be the hottest girl on Earth, but if she's conceited or shallow, who wants to be with that?  
  My first thought, when I was walking toward her, was absolute relief.  I knew what was going on, that the danger had resurfaced for both her and her mother, and I was more concerned that she'd catch me lurking at some point and flip out on me.  I finally went to the Addo directly and asked if I could have permission to get in closer to Nalena.  He allowed it, due to the circumstances.  
 Walking down that library aisle was the easiest thing I'd ever done.  Every step closer to her made me feel more relaxed.  More alive inside.  I don't think I can describe it.  When they say you just know?  They're right.    
 
What is your idea of a perfect day? 
 
Easy.  Nalena and I hanging out together and the whole world at peace around us.  If I can't get perfect, I'll just take the first half and call it a day at spectacular.    

*Ticks off on one a hand* You're popular, athletic, smart, gorgeous, and ooze charm. Basically, you're perfect. There's got to be a dark side to you. What makes you tick?  
 
*Grins*  Wow.  I'm really not all that, but thanks for the vote of confidence.  *laughs*  I work hard to stay in the moment and stay centered in my life (my brother, Sean, would be so happy to hear that I said that...so don't tell him, alright?  *grins*).  But now I wish I had an impressive dark side!  
 What makes me tick is simple: commitment to family, friends and community.  Justice, honor.    
Thanks so much for stopping by Garrett. Do you have any parting words for your fans out there?

 I'm grateful for the attention, but sorry, ladies, I'm taken!




Rummanah Aasi
 I've got a special treat for fans of legal thrillers. Margaret McLean, the author of Under Fire and Under Oath, her latest. Fans of John Grisham and Dennis Lehane should definitely check her book out. Margaret is stopping on the blog to give us a sneak peak at how she came up with the concept of Under Oath


Charlestown is a working class Irish neighborhood of Boston, which is only one square mile, but it had the highest unsolved murder rate in the country for decades.  I lived there, experienced this street code, and followed the code of silence murder trials in federal court.  At the same time, I worked as a prosecuting attorney in a high-crime area nearby.  On my way home from work, I’d stop and say hello to a man, who’d be sitting on his stoop in Charlestown, smoking a cigarette.  One day, I didn’t see him anymore.  He was murdered and his murder still remains unsolved.  I witnessed the frustration of the homicide detectives as they dealt with this pervasive code of silence: don’t see anything, don’t hear anything, and never talk to cops. I became consumed with this street code of justice and why it permeated Charlestown.  I spent many hours working my plot in the community gardens with several older men who shared stories and secrets about Charlestown and how the code had been in place since the immigrants came over in the nineteenth century, settled there, and worked as longshoremen.  The Mothers against Murder group and their determination to end the code of silence also deeply influence my writing.  Under Oath evolved from the streets of Charlestown.  It’s the story of a community that unfolds in the courtroom.  Protagonist Annie Fitzgerald is the prosecutor in charge of the unsolved murder cases; thus, it is incumbent upon her to win her case against Charletown’s most notorious crime boss and break the age-old code of silence.  People who enjoy reading legal page-turners from Scott Turow, Michael Connolly, and John Grisham will like Under Oath.  The police investigations appeal to fans of Law & Order and CSI.  Readers say they learn something from the forensics parts, and they like the dramatic courtroom scenes, especially defense attorney Buddy Clancy’s grueling cross-examinations.




   The “code of silence” remains sacred in Charlestown, one of the most historic yet insular neighborhoods of Boston. Gangster Billy Malone stand accused of killing Trevor Shea, a suspected FBI informant, with a potent dose of heroin. Prosecutor Annie Fitzgerald must crack the infamous code of silence and battle seasoned criminal defense attorney Buddy Clancy, who unleashes reasonable doubt with his penetrating cross-examinations.  The trial explodes into a high-energy race to justice when Annie’s chief witness is killed, jurors defy their instructions, and FBI cover-ups obscure the truth. While the jurors are deliberating, Annie discovers incriminating evidence against the Malones.   Time is of the essence...but will justice prevail?


 GIVEAWAY 


 Thanks to Tom Doherty Associates, I have one (1) print copy of Under Oath to giveaway. This giveaway is open for U.S. and Canada addresses only. The giveaway will run until 11 PM EST on SATURDAY, June 16th. The winner, chosen by Random.org will be announced on my blog on SUNDAY, June 17th. To enter, simply leave your name and an email address so that I can contact you if you win. Good Luck!
Rummanah Aasi
 Good afternoon! I'm participating in the promotional tour for Pavarti K. Tyler's Shadow on the Wall hosted by Tribute Books. To follow the tour and see what other blogs are participating, please click here. Below is a description of Shadow on the Wall and an excerpt to give you a flavor of the book.

Description (from Publisher): Recai Osman: Muslim, philosopher, billionaire and Superhero?
Controversial and daring, Shadow on the Wall details the transformation of Recai Osman from complicated man to Superhero. Forced to witness the cruelty of the Morality Police in his home city of Elih, Turkey, Recai is called upon by the power of the desert to be the vehicle of change. Does he have the strength to answer Allah's call or will his dark past and self doubt stand in his way?
   Pulling on his faith in Allah, the friendship of a Jewish father-figure and a deeply held belief that his people deserve better, Recai Osman must become The SandStorm. In the tradition of books by Margaret Atwood and Salman Rushdie, Shadow on the Wall tackles issues of religion, gender, corruption and the basic human condition. Beautiful and challenging, this is not a book to miss.

Excerpt from the book: Recai Osman awoke slowly, flickering in and out of consciousness, the sun scorching his bruised and exhausted body.

 Where am I? His foggy mind struggled to remember the last twenty-four hours.

Gritty particles shifted in sympathy as he rolled to his side. Sunlight assaulted his closed lids shooting pain through his head. Sand clung to his long lashes and hair. When the disorientation passed, Recai wiped his eyes with sand-infested hands, only adding to what clung to his fingers, pressing the grains deeper into his dry eyes, abrading them. Recai was covered in particles so fine they filled his shoes and ground into his scalp between each follicle of hair. Recai pushed his hands into the warm sand, lifting himself to a sitting position and looked around. The night before was still a blur. He remembered the bar at Bozooğulları Hotel and sharing a drink with a Kurdish woman who reminded him of his mother. Women who lived in Elih knew better than to be seen in a public bar, but the hotel staff looked the other way; money could buy many freedoms. Her eyes had been deep-set and so dark they may have genuinely been black. Their mischievous glint and the sound of his mother’s language had drawn him in. A thin veil tight around her hairline, she’d caught his attention with the modern style of having it pulled back and away from her shoulders, allowing him to clearly see the neckline of her dress.
   His head spun from last night’s drink and a dull throb built within his skull. Recai swallowed; his dry tongue thick from dehydration. Usually a soft bed and a forgiving shower greeted him upon waking. How had he gotten out here, in the middle of nowhere, surrounded by nothing but sand? He hoped the dunes he saw were the ones that resided to the south of the city and not a feature of some farther, larger wasteland.
   He didn’t remember leaving the bar, or traveling anywhere. How much had he drunk? Surely not more than any other night out, but his memory was hazy as he attempted to peer into the past. There were rumors of nomads kidnapping, robbing and abandoning the bodies of affluent Turks in the desert, but he would remember if he’d been kidnapped, wouldn’t he? Instead, all he remembered was drinking bourbon while admiring the curve of the mysterious woman’s collarbone peeking seductively above her blouse.
   The dunes just outside of Elih, Turkey, were not large. The expanse of emptiness made it easy to become disoriented and lost in amongst the shifting terrain. If he was lucky, he’d have awoken at night and followed the light of the city toward home. But now, with the blazing sun above him, luck was something he simply didn’t have.
Men didn’t last long in the dunes without water and supplies. Recai was resourceful; his conscription in the Turkish military had been short but very educational. If he’d had a canteen and some salt tablets, he’d be capable of surviving without food or shelter for a few days. But not like this…
He shook his head, and streams of sand fell to the ground around him. Negativity wasn’t going to help him get home.
   Recai blinked back the encroaching fog in his mind. The sun and lack of water already affected his focus, and the temperature was still rising. Recai took off his shoes and socks, knowing that despite the burning sand this terrain was best traversed the way his ancestors had. He needed to feel the earth below him, listen to the sand as it fell away from his steps.
He undid his belt and jacket and made them into a satchel to carry what few possessions he had. Searching his pockets he found them empty. He was as penniless as a wandering Roma seeking his next fortune. Soon he had his designer button-up shirt tied up on his head like a Jain turban, and his worldly possessions hanging from his belt over his shoulder. The scruff of his untrimmed beard protected his face from the sun, and the turban kept him somewhat shaded. Recai took in his surroundings and the placement of the sun and set off in the direction he hoped was north.
   Recai walked for what seemed like miles, resisting the instinct to second-guess his direction. The sand moved between his toes but soon he found his footing, and his body responded to the landscape as if from some genetic memory. He remembered his father’s words from a trip he took to the Oman desert as a child: Never take your shoes off; the sand will eat away at your feet. Recai had done it anyway, then and now, feeling more in control with that connection to the ground, its movements speaking to his flesh directly.
   His father had always been full of surprises: one moment the strict disciplinarian, the next, he would wake Recai in the middle of the night to see a falling star. Recai had never had the chance to get to know him as an adult. Instead, he lived with the enigmatic memory of a great man lost.
Recai stood in the middle of the desert—every direction would eventually lead to Elih or one of the smaller villages scattered around the city. But who would take in a stranger? A stranger with a Hugo Boss turban and a bruised and bloodied face? In’shallah, he would be delivered to safety.
The sun hung high overhead, beating down so no living thing dared venture into the desert. If Recai had a tarp or blanket, or anything at all, he would have dug himself a hole and conserved his strength until night. Instead, at the crest of the next dune he sat on his bundle to keep his body away from the sand, refusing to allow it to siphon the remaining moisture from his system. He stared out at the expanse of desert before him. Emptiness had never been so tangible to him, nor solitude so deafening.
   From his vantage point he saw the crescent shape of the wind-carved dune. Recai’s face was wind-burned, his shoulders screamed from the assault of the sun’s rays. The city remained out of range; all human life seemed to lie well beyond the line of the horizon.
As he stood, the ground shifted softly beneath him. It reminded Recai of when he’d been a child on his father’s yacht. He used to love going out on the water, taking the helm when they reached the open sea. The city of Elih was landlocked. It was the place where his father had made his fortune and helped establish a sophisticated Arab beacon for the rest of the Middle East, a place where Turks and Kurds co-existed peacefully. When his family needed to escape from the day to day running of the Osman Corporation, a private jet would fly him and his parents out to Iskandarūn where they docked the boat.
   Reaci walked on with his thoughts. He hadn’t been to Iskandarūn in years. Not since he’d witnessed his mother jump without warning from the helm of the yacht. Her thin hijab blew in the evening breeze before she leapt. It had been blue and Recai remembered the way it seemed to float in the air when she took that final step. Not long after that his father disappeared, leaving paperwork that named Recai the heir to the multi-billion-dollar empire he ran. Recai had been only eight years old. Since then, Elih had fallen into the hands of Mayor Mahmet Yılmaz and his RTK henchmen—terrorists hiding behind the thin veil of faith. It made Recai sick to his stomach, the way the city was falling apart, devolving into crime and ignorance, but there was nothing he could do. He simply was not his father.
    Walking along the crest of the dune, hoping to find a way to the flat area below that didn’t involve sliding down the great sand wall, Recai felt a rumble in his chest. A vibration surrounded him, calling to him from the air itself. A deep roar rose from the earth. The pitch rose as the noise intensified, now a screaming growl like the Jinn’s song. The dunes were collapsing.
   Recai ran, hoping to keep ahead of the avalanche. The awesome physics of the phenomenon would have been breathtaking were it not so deadly. Dropping the satchel that held the last remnants of his modern life, Recai scrambled across the crest, unable to get ahead of the avalanche. The dune song reached a crescendo and Recai screamed back at the spectacle of Mother Nature’s power. He lost his balance and fell to his hands and knees just as the top of the dune swept out from beneath him, sending him rolling, swimming in the sea of sand, which enveloped him then whisked him away.

 Author Contact and Book Purchase Information: To learn more about Pavarti K. Tyler, you can find her on her website, Facebook, Twitter, Tumbler, Google +, and on Goodreads. You can find the book on Amazon if you are interested in reading a sample or purchasing your own copy.
Rummanah Aasi
  The last few weeks of the school year are chaotic. I've read and finished quite a number of children's books. My reviews of these books are starting to pile up so I thought I would do a few pithy mini-reviews for you. All of these books are found on this year's Illinois School Library Media Association's (ISLMA) Bluestem Reading Award. For the full list of books nominated by school librarians, teachers, and students, click here. Today I'll be reviewing Captain Nobody by Dean Pitchford, The Shadows by Jacqueline West, and The Name of This Book is Secret by Pseudonymous Bosch.

Description: When ten-year-old Newton dresses up as an unusual superhero for Halloween, he decides to keep wearing the costume after the holiday to help save townspeople and eventually his injured brother.

Review: Newton, commonly known as Newt amongst friends and family, has always been in the shadow of his older brother, Chris, the star football player. He goes unnoticed by his workaholic parents and by his classmates at school. After Chris is seriously injured in a game, Newt begins to emerge from his usual anonymity. In the days that follow, he wears the cape and mask of his made-up Halloween persona, Captain Nobody, where he finds his confidence and importance. He is called for help in foiling a jewelry store robbery, clearing a landing path for a plane in distress, and climbing a water tower to save another boy. While his heroic actions are far from realistic, I did love reading this story of an underdog who found a way to prove that he is unique and special. Captain Nobody is a feel good book and is sure to be a great find for kids who love superheroes and who want to be one.

Rating: 4 stars

Words of Caution: None. Recommended for Grades

If you like this book try: How Oliver Olson Changed the World by Claudia Mills, Powerless by Matthew Cody


Description: When eleven-year-old Olive and her distracted parents move into an old Victorian mansion, Olive finds herself ensnared in a dark plan involving some mysterious paintings, a trapped and angry nine-year-old boy, and three talking cats.

Review: The plot of this book is very familiar amongst readers who enjoy a light fantasy with a few touches of horror thrown in for good measure. Olive is a likable heroine, who lives in her own world. She can't contact with her weird, nerdy, absent minded mathematician parents nor can she relate to her classmates at school. While exploring her new house, she comes across odd paintings and a pair of glasses that allow her to venture inside the art to Elsewhere filled with talking cats and people who found themselves in the paintings. I really like the balance of mystery, adventure, and with just the right touch of creepiness. My favorite part of this book aren't the humans, but rather the snarky talking cats who stole the show for me. This is the first book in The Books of Elsewhere series and I do plan on coming back to this series later.

Rating: 4 stars

Words of Caution: None. Recommended for Grades 3-6.

If you like this book try: Coraline by Neil Gaiman, The Witches by Roald Dahl


Description (from Goodreads): Warning: this description has not been authorized by Pseudonymous Bosch. As much as he'd love to sing the praises of his book (he is very vain), he wouldn't want you to hear about his brave 11-year old heroes, Cass and Max-Ernest. Or about how a mysterious box of vials, the Symphony of Smells, sends them on the trail of a magician who has vanished under strange (and stinky) circumstances. And he certainly wouldn't want you to know about the hair-raising adventures that follow and the nefarious villains they face. You see, not only is the name of this book secret, the story inside is, too. For it concerns a secret. A Big Secret.

Review: I loved the snarky tone of this book, which really reminded me of the Lemony Snicket and the Series of Unfortunate Events. Two misfit kids become an investigating duo who find a puzzling box of "smells" and a message from a dead magician. Cassandra and Max-Ernest (not their real names) embark on an exciting adventure that involves a strange notebook written in secret code, a magician who has disappeared without a trace, and a so-called "golden lady" who seems to be ageless and will do whatever she can to stay that way. It's a fun adventure story that packs plenty of chuckles, entertainment, puzzles that will keep children's attention.

Rating: 3 stars

Words of Caution: None. Recommended for Grades 3-6

If you like this book try: If You're Reading This, It's Too Late (Secret #2) by Pseudonymous Bosch, Alcatraz versus the Evil Librarians by Brandon Sanderson, and for a more clever and sophisticated children mystery try The Mysterious Benedict Society by Trenton Lee Stewart.

Rummanah Aasi
   I'm privileged to have Alex Flinn here on the blog today. Though she's mostly known for her sweet, romantic, and popular fairy tale retellings such as Beastly, A Kiss in Time, and Bewitching. What people might not know is that Alex's first book is the gritty, realistic fiction novel, Breathing Underwater, which was challenged but ultimately retained in the Richland School in Washington this year. I actually read about the challenge off of Alex's facebook page and asked if she'd be willing to chat about her experiences of having her book challenged and the writing process of Breathing Underwater. She graciously agreed.

  Before I get to the interview, I wanted to give you a brief bio on Alex. She was born in Glen Cove, New York. Before going to law school, she received a degree in vocal performance (opera) from the University of Miami. She practiced law for ten years before becoming a full-time author. She based her first book, Breathing Underwater, on her experiences interning with the State Attorney's Office and volunteering with battered women. Breathing Underwater won the Maryland Black-Eyed Susan Award in 2004.


  Thank you so much for doing this interview, Alex. How did you find out that Breathing Underwater was challenged? What were your first thoughts upon hearing the news? 

  I found out from a Google alert. I've actually been surprised Breathing Underwater hasn't been challenged more, since it has a few swear words, and I know some people think that's important. I think I've had an easy time because, since Breathing Underwater is a problem novel, maybe its value is more obvious (i.e., schools can say that it teaches about dating violence) than with another type of novel. That said, I was sorry it was being challenged because I do think it has great value and the kids might not get to read it. I was also surprised there wasn't more of an uproar about it. The same district challenged Sherman Alexie's book [Rummanah's note: The book Alex is referring to is The Absolutely True Diary of a Part-Time Indian which is awesome and a must read] last year, and everyone was up in arms. I don't know if my book is viewed as having less value so the censorship doesn't matter or if people are just bored, but it didn't seem like anyone really said anything in its defense.


 What does censorship mean to you as an author and as a reader? 

I think it's a shame because it keeps kids from being able to read a book they would enjoy and that might benefit them. In the case of Breathing Underwater, the challenges I have had have either been based on someone not reading the whole book (I've heard comments about not liking Nick's attitude toward women which, of course, is the whole POINT of the book, which someone would understand if they read the whole thing) or a few swear words that everyone has heard anyway. I'm a parent too, and I do pick and choose what my own kids would be exposed to, but I think it should be an individual decision. Also, it sort of amazes me that parents will let their kids see all sorts of violent PG-13 movies in grade school but will recoil at a mild swear word in a book. I guess that attests to the power people give books.


 In your opinion, what is the purpose of realistic fiction? Why is this genre so easily targeted by censors?

Realistic fiction portrays the world in a realistic way. Some readers don't care for it, but a lot of kids (including kids who don't read much at all) will read nothing but realistic fiction. I think it is easily targeted by censors because they either don't want to face that their kids are aware of certain issues or language or because they wish they weren't and want to blame a book. Also, I've seen reviews indicating that a parent was upset that a character in one of my books didn't share their values. Unfortunately, books can't all be about good kids doing wonderful things or they wouldn't have much of a story. A character needs to have flaws in order to have personal growth. For example, Kyle in Beastly is a jerk. He swears. He treats women as objects. I'm not advocating those things and I think readers know that. But that is why he needs to have a book written about him, because it is about him learning that those things are wrong. If he was a great guy, there would be no story. I think the kids get that but, again, if you skim, it's not as obvious.



  Most of the challenges arise from parents. As a parent yourself, have you previewed books for your kids? What advice would you give parents who are completely new to the YA realm? 

Frankly, I'm pickier about movies, but I do notice what my kids are reading. For the most part, my daughters haven't been all that interested in reading books above their age group (The one exception was the Twilight books, and I allowed my daughter to read the first three but not the fourth at age eleven). If I have a real question about a book, I have checked the School Library Journal reviews, which any parent can see on Amazon. Common Sense Media, though sometimes maligned by authors, is not a bad site either. I think they usually place a book as being about a year older than I would. Language, for the most part doesn't bother me, but I recommended that my daughter hold off on reading The Hunger Games until she was twelve just because it was scary. If she'd really wanted to read it, I would have let her, but I suspected she wouldn't like it. She did wait but eventually read the books.


 What is your favorite challenged/censored book you've read and why?

To Kill a Mockingbird because it's a great book.



Why did you want to write about dating violence? 

I volunteered with battered women and I thought it was an important and interesting issue.


Most of the books, at least the ones that I'm familiar with, on dating violence are told from the female point of view. What made you decide to write it from Nick's point of view? 

He was the only character that knew that side of the story. I've always liked to consider why people do what they do. When I was a young teen, I became familiar with Sondheim's musical Sweeney Todd, which was the first time I'd ever seen someone give voice to a character who was doing something really bad, yet sought to see his point-of-view. I also had the bizarre experience of being in three different English classes (in 10th, 11th, and 12th grades -- I switched schools) that read The Crucible and then being in a production of the opera in college, as one of the crying out girls. This is another play that really explores the roots of evil, what makes people do what they do, if they know it is wrong or not. I researched that era a lot and found that one of the girls (in real life) portrayed in that play (Actually, the girl I played) actually did apologize to the families of the women who were hanged on her evidence. So, did she know at the time? Did she not understand what it meant to accuse people who would then be killed? Was she too young and just following her parents? Or was she just so caught up in what was happening, as Mary says in the courtroom scene, that she didn't realize what was real and what wasn't? I am very fascinated by people's motivations. In my mind, and from the research I did, Nick (abusers in general) really did not realize he'd done anything wrong and was able to justify his actions to himself. The story, of course, is about him realizing that he can't continue to do so.


What character surprised you the most while writing Breathing Underwater

Nick. I started writing the book in the girl's viewpoint with just a scene or two in Nick's viewpoint, but I became completely obsessed with him.


I was surprised to read Nick's clarity in his journals, which made the book that much more powerful to me. Why did you decide to use the journal motif instead of the group therapy? 

I like split narrative books like this, such as The Prince of Tides or Rob Thomas's Rats Saw God. That was what I wanted to do, two stories that dovetailed. The journals seemed like the best way to do that.

It's been 11 yrs since Nick's story was written. Where do you imagine him to be today?

I always tell teens he's going to go to college and lead a blameless life, which is why I can't write a sequel to his story.

  Thank you so much for taking the time to chat with us, Alex. I would like to think the quietness surrounding the book to mean that the book's purpose is quite obvious. 4 out of 5 board members agreed to leave the book on the 12th grade curriculum list and I've read teachers views on the book's importance and power. As a librarian I feel obligated to let parents know of any red flags that are found in the books that I feature on my blog just as if they had asked me about the book on my library shelves, which is how I came up with the "Words of Caution" part on my blog. I want to give the parent enough information so they can make the ultimate decision. Only a parent and child can know what is right for them.
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