Rummanah Aasi
  I reviewed and enjoyed reading Life in the Slow Lane by Thomas M. Sullivan last year. I had quite a few questions for him after reading the novella. Thomas has an extensive educational background. He has more degrees under his belt than I could count! He is a long time teacher who quite familiar with the murky and lightly regulated world of private vocational education. He has worked for companies that either dramatically fell apart or that were investigated by the federal government for fraud. His novella, Life in the Slow Lane, takes a closer look at private Driver's Education that is far from professional. I hope you enjoy this interview and participate in the giveaway (details below)!

Rummanah: Welcome and thank you for stopping by my blog, Thomas. Given your educational background, the last thing I imagined you doing is being a Driver’s Education teacher. Why did you choose this profession?

 Thomas: I sort of fell back into teaching after trying other things. A few years prior to the job I graduated from a two-year program in a computer related field but couldn’t find work in Portland. So I went to work as a cartographic draftsman at a government agency in Salem (the capitol). The environment there was really grim, so I decided to return to teaching (I had previously taught software to unemployed and job-injured adults in retraining for a number of years before moving to Portland). 

Rummanah: And now, you’re a writer. What made you turn to the writing profession?

Thomas: Our scheduling for student lessons was so erratic that I’d end up with hours between lessons. So I’d drop into a coffee shop and jot down accounts of funny things that happened during the day. Over time my “material” piled up and I decided to shape it into a book-length account of being a driver’s education instructor. So it wasn’t really a conscious decision but rather a way to make the best of a largely dysfunctional (but always entertaining) situation. 

Rummanah: Now that's what I call using your time wisely! Did you have any other memories from the Driver's Education company that you wanted to put into your novel, but didn’t?

Thomas: Fortunately, I was able to tell the whole story. From what I’ve heard, a lot of authors end up with editors that need to feel in control and radically rework a book to make it safer and more marketable. On this count my editor was wonderfully cooperative, which is a real blessing (small presses rock!).
Rummanah: That's great! As a teen what was your most memorable driving memory?

Thomas: Our family had two used cars, a Mazda and a Camaro with this monstrous stick shift that looked like it belonged on a flatbed truck. One day I was driving home in the Camaro and went to downshift to climb a big hill. For some unknown reason I thought I was in the Mazda and was shifting from 3rd gear to 2nd. But on the Camaro the same spot on the shifter was actually Reverse. When I shifted and let off the clutch the car screamed, slammed to a stop, and started to smoke. Perhaps teaching drivers ed became a future form of penance for that destruction. 

Rummanah: *Laughs* If I ever did that, my parents would never let me get near a car much less drive one! How would you describe your writing style?

Thomas: Firstly, “accessible” – I try to write as if I’m talking to someone and telling them a story, not trying to impress them with smart-sounding words and complex sentences. My hope is that this makes reading my work quick and light. Secondly, “irreverent” – I write from the position that every institution and every belief in life needs to be open to reasonable inspection and questioning if we want to avoid stagnating or morphing into a closed society. 

Rummanah: I think that definitely comes across in Life in the Slow Lane. While there is humor in the book, I could still tell there was a serious problem with that driving school. On that note, what would you like your readers to take away from your book?

Thomas:  Primarily, that we can learn a lot from the easy-going wisdom of kids, who haven’t been tainted by greed or the need to control or an overwhelming drive to feel successful. In my book there’s a stark contrast between the way the kids respond and the way the adults respond when things go haywire, and I think it’s instructional. The kids shrug it off and move on, the adults bicker and blame (probably myself included). That was the remarkable thing about being around kids day after day – what struck me was that they exhibited an accepting lightness and that seems to evaporate in middle aged adults. I’m not denigrating American parents, who now have less security and support than ever before and should probably be demanding more, I’m only saying they can learn from the young.
   Secondly, I’d like people to consider (especially now in an era of budget challenges) the wisdom of privatizing essential functions like education or water systems or highways. I’d like to believe that my experience was unique, but I don’t think it is. Privatizing is always presented as the best way to gain “efficiencies,” but you run the risk of entrusting crucial necessities to companies that (by design) care primarily about maximizing profit. Private enterprise works for most things, but it’s not a panacea for everything.


Rummanah: I hear you loud and clear on that, but I can't help but notice a common critique of your book is the social commentary you included in the middle of the book. Some readers thought it was a bit offensive. What was your purpose of adding that commentary there?

Thomas: I wanted to encompass the whole range of my experience and not be limited to funny, feel-good stories about being in a car with teenagers. I also felt that the nature of the time and setting of the story were factors in the dysfunction permeating the situation. My story takes place mid-decade, when the housing bubble was raging, suburbs were booming, reckless greed was in, and people were buying big houses and huge SUV’s. At the time, it seemed to me that the drive for wealth and power were crowding out other more important (in my opinion) concerns. And I was sitting in the middle of all this. The town I worked in celebrated a sort of “free-market-triumphalism.” My employer was a perfect example of “profit-above-all-else,” like Enron. So, the general mood of the cultures surrounding me felt aggressive and selfish and unsettled. So the social elements seeped into my story and shaped it. And the prevailing mindset impacted the effectiveness of my company in meeting its true responsibility, the one that really mattered, which was teaching kids.
    I suspect that my comments on religion were the primary thing people found “offensive”. But my story does beg the question – how does one claim openly to be a dedicated Christian, but then run a company that is basically predatory and concerned primarily with profit? 

Rummanah: I see. Thomas, if you could offer any advice to aspiring writers what would it be?

Thomas:  Try to find a voice and style of your own and trust it. This can be hard since a lot of traditional venues for writers want things that are familiar and comfortable, which tempts one to change their voice and style to “fit in.” But these restraints that kill innovation are now driving new opportunities to arise. The web is really opening up possibilities, with online journals, audio magazine, e-publishers, blogs, etc. So my one bit of advice would be: don’t change what or how you write, change how you try to get your work out there.

Rummanah: Thanks for the advice! Do you have any other projects that you’re working on at the moment?

Thomas: I’m finishing a collection of humorous non-fiction essays that I think could be called “flash-nonfiction.” A number of these have appeared online. If anyone wants to take a peek I have a link to a few on my website.

Rummanah: Thanks so much for stopping by and answering my questions!

Thomas: Thank you so much for this opportunity. I’m really starting to appreciate the book blogging community and have found some great books that I would never have found through traditional channels. So thanks for that too! 

Readers, Thomas has kindly offered to give away an electronic copy of Life in the Slow Lane. Here are the giveaway rules:
1. You must be 13 years or older.
2. Leave your name/alias along with an email in the comments so that Thomas can send the ebook to you. 

This giveaway is open internationally! You do not have to follow my blog, but if you like what you see here then it would be greatly appreciated. Giveaway ends 11 pm EST on 1/11/11. The winner will be notified via email and announced on my blog 1/12/11. Good Luck!

Rummanah Aasi
  I have been looking forward to this morning and anxiously awaiting the announcement of several Children and Young Adult book awards. The Young Media Awards are like the Oscars for many librarians, including myself. The awards took place at the American Library Association (ALA) Midwinter Meeting at San Diego, California. Although there are many awards honored today, I was looking forward to finding out the winners for the Caldecott, Newberry, Morris, and of course the Michael L. Printz Award. You can find the other winners on the Association for Library Services to Children website and the Young Adult Library Services website (YALSA).

The Caldecott Medal was named in honor of  Randolph Caldecott, who was a nineteenth-century English illustrator. The award is given annually by the Association for Library Service to Children to the artist of the most distinguished American picture book for children.

Winner of the 2011 Caldecott Medal is:
A Sick Day for Amos McGee by Philip C. Stead and illustrated by Erin E. Stead.


Honorees of the 2011 Caldecott are:

Dave the Potter: Artist, Poet, Slave by Laban Carrick Hill and illustrated by Bryan Collier

Interrupting Chicken written and illustrated by David Ezra Stein The Newberry Medal was named in the honor of John Newberry, who was an eighteenth century British bookseller. Like the Caldecott, it is also awarded annually by the Association for Library Service to Children to the author of the most distinguished contribution to American literature for children.






Winner of the 2011 Newberry Medal is:
Moon over Manifest by Clare Vanderpool

Honorees of the 2011 Newberry are:

One Crazy Summer by Rita Williams-Garcia


Turtle in Paradise by Jennifer L. Holm

Dark Emperor and Other Poems of the Night by Joyce Sidman and illustrated by Rick Allen


The William C. Morris YA Debut Award was first awarded in 2009 by YALSA. The award is given to a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature.

Winner of the 2011 Morris Award is: 

Freak Observer by Blythe Woolston 

Honorees of the 2011 Morris Award are:



Hush by Eishes Chayil

Guardian of the Dead by Karen Healey

Hold Me Closer, Neromancer by Lish McBride
Crossing the Tracks by Barbara Stuber


 The Michael L. Printz Award was named in the honor of Michael L. Printz, a school librarian in Topeaka, Kansas, who was a long-time active member of the Young Adult Library Services Association. The Michael L. Printz Award is an award given annually by the Young Adult Library Services Association to a book that exemplifies literary excellence in young adult literature.

Winner of the 2011 Michael Printz Award is:
 

Ship Breaker by Paolo Bacigalupi


Honorees of the 2011 Printz Award are:

Nothing by Janne Teller

Revolver by Marcus Sedgwick

Stolen by Lucy Christopher



  Well, the library associations have spoken. What do you think of these book awards? Will you read the books that have won and have been honored? I, personally, was a little suprised by Ship Breaker winning the Printz. It's a well written book, however, I didn't find anything really exceptional about it. I do have most of the other books already on my tbr pile. I guess, I will post them up higher just to see what made them so special.
Rummanah Aasi
  I have mixed feelings about reading series. I like well developed plot arcs, meeting and seeing characters grow with each volume, and getting a clearer picture of the world that the author has created. What I don't enjoy is reading a series where the story and characters go no where, which is why I dropped the House of Night series by mother-daughter duo, P.C. and Kristen Cast, despite the fact that I already read 7 books in the series. I'm lenient with series than with any other books because I know how difficult it is for an author to set up their world and establish their characters. The series may have its flaws but eventually the author finds his/her stride, the writing becomes clearer, and the characters become alive, which makes the book take flight. As my friend Kayla mentioned once to me (I'm paraphrasing here. Sorry, Kayla, if I jumbled your words): "Give me fascinating characters and I will follow the author where ever he/she goes". I feel the exact same way with the Mercy Thompson series and the third book, Iron Kissed, especially.

Description: When her former boss and mentor, a fae, is arrested for murder and left to rot behind bars by his own kind, Mercy is determined to clear his name and show he is innocent regardless of how dangerous it is for her. Time has also come for Mercy to decide which of the two alpha male werewolves, Sam or Adam,  she will claim as her mate, because if she doesn't one of them will decide for her. Mercy has got a lot on her plate, what will she do?

Review: The Mercy Thompson series gets better with each book. The world building becomes sharper, the plot arc slowly builds, the pacing gets better, and the writing is a smoother. Like the previous books, Moon Called and Blood Bound, which focuses on a specific paranormal community, werewolves and vampires respectively, Iron Kissed continues the trend and spotlights the fey. The paranormals live amongst the humans yet they face discrimination and strict laws that are pretty similar to Marvel's Xmen. With each book, I enjoy the new mythology and folklore that Briggs introduces. 
  Iron Kissed picks up where Blood Bound leaves off. Mercy is still haunted by her actions in the last book, which Briggs nicely sums up to bring the reader new to the series up to speed without slowly down for those who are already updated. A new mystery arrives when Mercy receives a frantic call from her former boss about powerful fae instruments stolen and murders occurring on the fae reservations. Things get worse when her boss is framed for murder and is thrown in jail. There are a lot of twist and turns in the plot, some of which I had anticipated before hand and others that took me by complete surprise, but it is Briggs' dynamic characters that bring this series to life and the only reason why I continue to read this series.
  Mercy is a heroine that I admire. She is a complex and strong. I appreciate Briggs creating a character of color, who for once is the main lead and not a sidekick character. Mercy is utterly loyal and will do anything to help those who she loves. A child of a single teenage parent, she was raised by a pack of werewolves and has always fought to stay independent. While she is physically strong, she is also vulnerable. She is constantly trying to fit in and create a place to call home. We see more of this come to light in this book. Unlike the two previous mysteries, this current conflict is much more personal to Mercy. To her, her boss is like a surrogate father who has guided and cared for her, which is why she doesn't hesitate to put her live in danger in order to save him. Mercy goes through strong emotions and turmoil in Iron Kissed, but how she maturely deals with her problems is what makes her real, appealing, and admirable.
  Sam and Adam, Mercy's love interests, are honorable men who also have a fair share of flaws. To be honest, I have been conflicted with both of them. It is clear that both of them care deeply for her and have to come to her aid regardless if their own lives are at risk. While there is a traditional love triangle in this book, I thought Briggs did a great job in not dwelling on the angst or have a character walk off because of the outcome, which took me by surprise. The love triangle wasn't solved completely out of emotion, but rather logic. While it may come across as anticlimactic for some, I loved how maturely it was dealt with and how the characters stayed true to themselves throughout it. Finally, there is a resolution but no baggage that characters carry.
  As for the mystery, I figured out the identity of the murderer ahead of time but I did not expect how it unfolded nor the emotions that were revealed after. I won't mention what happened exactly because that would be a huge spoiler, but I will say that it was very powerful and made me reread the section quite a few times to really understand what had happened. What took me off guard completely, but in a good way, is the character of Ben. Ben, in the first two books, came off as being prickly and shady. I didn't care for him at all, especially with how he acted around Mercy. My opinion of him, after reading Iron Kissed however, completely changed how I see him now. Ben is a man who has a dark and tragic past, who is working on his recovery. I have warmed up to him and now understand him better.
  If you are considering to read the urban fantasy genre or looking for a book that has mystery, suspense, romance, and great characters, I think you will really enjoy this series. I really look forward to reading the next books to see what else Briggs has in stored for me.

Rating: 4 stars

Words of Caution: There is some language and an allusion to rape. Although the series is marketed to adults, I think this a pretty clean series to recommend to strong teen readers.

If you like this book try: Bones Crossed (Mercy Thompson #4), Kate Daniels series by Ilona Andrews or  Paranormalcy by Kiersten White
Rummanah Aasi
  After reading the Emmy and The Incredible Shrinking Rat by Lynne Jonell, I finished the list for the Bluestem Award. For those of you who are unfamiliar with the Bluestem Award, is a Reader's Choice Award for books that are written for Grades 3-5. Books are selected by students, librarians, and teachers. Participating schools in this award hosted by the Illinois School Library Media Association (ISLMA) hold an election and a winner is announced. I really enjoyed reading the nominees this year and can't wait to see the list for next year. I'm glad that I finished Emmy and The Incredible Shrinking Rat and ended the reading list on a happy note.  

Description: Emmy Addison was perfectly happy as the daughter of bookstore owners, but then her parents inherited a lot of money and she suddenly became invisible. She can't understand why her formerly attentive, loving parents are always constantly away and leaving her alone with the strange and controlling Miss Barmy, her nanny, who gives strange concoctions to Emmy to drink and eat. To much of Emmy's dismay, it's not just her parents who don't notice her, but also everyone in her classroom. When she is bitten by the classroom pet rat, called appropriately Rat, she discovers that she can understand what he says and so can her fellow classmate, Joe, one of the cool kids in her class. Things really get challenging and odd when Rat bites Joe and Joe shrinks to Rat's size.Determined to unshrink her friend, Emmy discovers Miss Barmy's hidden agenda. Could Miss Barmy be the reason why Emmy is invisible to her parents and her classmates? What is in those drinks and food that Miss Barmy serves at Emmy's house?

Review: Emmy and Incredible Shrinking Rat is a charming and very funny story. The beginning, especially the scene where Rat admonishes Emmy for being too nice, hooks the reader right away. Emmy, our heroine, is adorable. She is very frustrated by being invisible to others, even when she is physically present in front of them. She yearns for her parent's attention and adoration. We see her desperately tying to capture their attention by excelling in school and other extra curricular activities but to no avail. So when Rat and Joe seek her friendship and help, she immediately jumps on board and thus begins to uncover the agenda of the evil nanny, Miss Barmy. As a villain, Miss Barmy is not too scary and serves as excellent fodder for jokes. The real star of the story, however, is Rat. I absolutely loved his snarky voice. He had me constantly laughing and smiling.
   A mystery regarding Miss Barmy is cleverly woven into this fun story, but at times it seems to take the story off track and thus slow down parts of the book. As an adult, I was able to figure out the mystery and Miss Barmy's motive, but I still enjoyed on how Emmy, Rat, Joe, and other characters work together to resolve the conflicts. I would have also liked a clearer explanation of how the animals have powers, but I think kids will be most invested with the talking animals and the jokes and not mind the obvious plot line or this hole in the story. I  thought the illustrator did a neat job in decorating the margins with drawings that produce a flip-book effect: the rat falls from the bough of a tree, covering his eyes as he somersaults backward in mid-air to land in Emmy's outstretched hand. It is very different than your average illustration between the text. Emmy and The Incredible Shrinking Rat is a funny, fun filled read that I'm sure many kids and adults will love.

Rating: 4.5 stars


Words of Caution: None. Although the reading level is suitable for Grades 3 and up, Grades 1 and 2 will definitely enjoy this story and the book would be a great choice for a read aloud.

If you like this book try: Emmy and The Home for Troubled Girls by Lynne Jonell, Matlida by Roald Dahl, or The Series of Unfortunate Events by Lemony Snicket
Rummanah Aasi
 

Nailer scavenges ships in order to stay alive. When he finds a rich, beached ship with a girl in the wreckage, he has to decide if he should strip the ship for its wealth or rescue the girl. Is the girl the ticket he needs to get out of poverty or will she drag him down further into his hellish world?

dirty and dangerous job is to crawl deep into the wrecks of the ancient oil tankers that line the beach, scavenging copper wire and turning it over to his crew boss. Quota must be met or you might not live for the next day. Nailer and his crew live in extreme poverty where food and clean drinking water is scarce. While the book is considered a dystopian and futuristic society, one can't help but feel that the dire situation mirrors what reality is for many, if not all, impoverish communities living in many countries today. The division between the haves and the have nots is staggering, but unfortunately not startling. While the world may not be different from today's economic times, what is startling to see is the lengths humans are willing to go to in order to survive. Like the resources that are limited in Nailer's world, trust, loyalty, and family is almost nonexistent, which is portrayed both by the book's characters as well as the distant, third person narrative.
   Nailer, our main character, is not our usual male hero that we have seen in YA literature. He is short, scrawny, and horribly scarred. In fact in order for Nailer to make a living and to survive, he must stunt his growth so he can fit into the small crevices of the ship to scavenge. Descriptively, he is very far from the typical tall, athletic, and attractive hero we generally read about. Unlike his looks, his living condition is not unusual. Like many children in severe poverty, he is forced to become an adult very quickly and make his own living. To make things worse, he is also living with his drug addict, alcoholic, and abusive father. While I understood Nailer's difficult situation and decisions, I couldn't connect with him beyond the superficial level. I had already met this type of character before in other books I've read.
  In fact I thought a lot of the secondary characters share very similar characteristics with Nailer. I felt if you could switch their names with his, you essentially get the same person. The only exception to this is a genetically engineered character named Tool who is composed of hyena, tiger, dog, and human. Half-men like Tool are created for the sole purpose of being utterly loyal to his patron/master and having a fierce temperament whenever he is called upon. Unfortunately, the side effect of this experiment is having a face that looks a bit canine. While he may not look physically attractive to us, Tool's face is supposed to inspire fear, especially since his breed are mostly employed as thugs and bodyguards. Tool is definitely menacing, but he is also unique. His rebellion against the natural order of half-men (thus the irony of his name) make him mysterious and that aura is heightened with the lack of a back story. Tool's past is never revealed, but he constantly reminds Nailer and those around him how unexpected his actions are. At first I was a bit frustrated with not knowing Tool's history, but then I realized if it was given then it would be not only inconsistent with his social rank but also might lessen my fascination of him.
 Ship Breaker is a gripping and fast paced story that I'm sure many reluctant readers will enjoy. I learned a lot about the job of being a ship breaker, which I did not know about until I read this book. I really appreciate Bacigalupi in using racially and culturally diverse characters in his novel. Both the female and male characters have equal presence and importance in the novel. I can definitely see boys and girls liking this book. Themes such as environmental responsibility and social/economic inequity make the book a good choice for a book discussion.





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