Description: Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder—a vocation that arouses fear, superstition, and prejudice among their small community but one neither he nor his parents can afford to refuse.
For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one they will capture something unique and extraordinary: a memory. If there’s something you want to forget, a binder can help. If there’s something you need to erase, they can assist. Within the pages of the books they create, secrets are concealed and the past is locked away. In a vault under his mentor’s workshop, rows upon rows of books are meticulously stored.
But while Seredith is an artisan, there are others of their kind, avaricious and amoral tradesman who use their talents for dark ends—and just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery: one of the books has his name on it. Soon, everything he thought he understood about his life will be dramatically rewritten.
Review: In Collin's adult fantasy debut novel, The Binding, books are dangerous things in an alternate Victorian England. People visit to rid themselves of painful or treacherous memories. Once their stories have been told and are bound between the pages of a book, the slate is wiped clean for the individual and their memories lose the power to hurt or haunt them. After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of Seredith, a binder, to live and work as her apprentice.
As you can imagine there are those who exploit the binders market to their own purposes. Among them is Mr. de Havilland, Seredith’s son, who, after her suspicious death, appropriates her stock of secret bindings, which, like loaded guns, will make explosive appearances later. He also takes charge of Emmett.
The middle section of the novel changes from a third person to Emmett's point of view as Emmett eventually discovers there is a book with his name on it, and it holds an essential secret about him. Emmett is back on the farm with his parents and his sister, Alta. In this flashback we learn the source of Emmett’s ailment and also his connection to the Lord Lucian Darnay as the two have a forbidden romance. Except for the fact that a corrupt binder’s wares play a role, the concluding section, told from Lucian’s point of view, presents a mostly fact-based dystopia of Victorian aristocracy and its excesses. The romance is slow burn and sweet, but it is tragically cut short.
While I would have loved to explore this alternative Victorian a bit more, I did like Emmett and Lucian as characters. There were a few plot threads that are fully discussed such as Lucian's vial and predatory father and the backstory of Mr. de Havilland. The worldview of this novel is bleak, but the ending is hopeful. This a unique blend of historical fiction, dystopian, mystery, and romance.
Rating: 3.5 stars
Words of Caution: There is some strong language and allusions to rape. Recommended for older teens and adults.
If you like this book try: The Forgetting by Sharon Cameron
Hmm... I like the blend of genres and the sound of the book, but I hate a view point change when it switches from third to first, that drives me nuts. I don’t know if this is for me.
I've never read an adult fantasy novel and am not sure this is the one to lure me in.